The Black Ice (Harry Bosch)

 

From Wikipedia

The Black Ice (Harry Bosch) is the second novel by American crime author Michael Connelly, featuring the Los Angeles detective Hieronymus "Harry" Bosch. In the book, narcotics officer Calexico Moore's body is discovered Christmas night in a seedy Hollywood motel, an apparent suicide. As the L.A. police higher-ups converge on the scene to protect the department from scandal, Harry Bosch inserts himself into the investigation. The trail he follows leads to Mexican drug gangs operating across the border. 

Publishers Weekly

LAPD detective Hieronymous "Harry" Bosch, protagonist of the highly praised mystery The Black Echo , returns in a procedural thriller set in and around the drug-trafficking underworlds of inner-city Los Angeles and the wastelands of Mexico. When Bosch arrives at a sleazy hotel room where a fellow officer has committed suicide, he senses that something is awry. Noncommittal superior officers, a diffident widow and tales linking the dead man to a newly created street drug called "black ice" (heroin, crack and PCP rolled into one) send Bosch down a winding trail of forensic impossibilities, brutally violent drug traffickers and an ultimately shocking case of mistaken identity. Award-winning Connelly's second fictional effort is strong and sure. His pacing could be better--too often he conveys the same information twice--but his plot and characters more than make up for a slow start. This novel establishes him as a writer with a superior talent for storytelling.

Copyright 1993 Reed Business Information, Inc. Michael Connelly's books are definitively within the "hard-boiled urban detective" genre that historically has been highlighted by the work of Raymond Chandler and other great mystery writers. *The Black Ice* is the second in a series of novels with LAPD detective Hieronymous Bosch as the protagonist (the first was *The Black Echo*), and it's definitely a winner. There's murder, intrigue, twists and turns in the plot, and plenty of action, as well.

One thing that Connelly does particularly well is to include geographical/place descriptions in his work. When one reads his descriptions of life in Los Angeles or travels to a bordertown like Mexicali, these places really do seem real and are accurately depicted.

The book is not perfect; as in so many police mysteries, sometimes the clues come just a bit too neatly packaged, and at times this doesn't seem realistic. But then, real police work is probably pretty dull 90% of the time (false leads, endless drudgery, etc.), so streamlining the process for the sake of fast-moving fiction is certainly forgiveable. The other thing that had me rolling my eyes a bit is the obligatory "romantic angle" that seems always to be a subplot in these books. Again, it's kind of a sacred part of the genre, but wouldn't it be interesting if for once Bosch noted the "gorgeous but sad woman" and then went about his business without becoming involved with her?

All in all, this is a terrific book and an absorbing, "can't put it down" read. One last thing: I would recommend that people who wish to read the Bosch novels start with the first (*The Black Echo*) and read them in chronological order, as Connelly is very careful in his novels about maintaining accurate references to what has happened to his protagonist previously.

By 

Douglas A. Greenberg (Berkeley, CA USA)